Postal Love USPS Postal Worker High Hand Heart Red Car T-Shirt

Category

Trending Shirts

Design

Original artwork, copyright protected

Printing

Printed to order and shipped from the USA

Processing

2–3 business days after your order is placed.

Delivery

5–10 business days within the US, 7–15 business days internationally.

Cost

Calculated at checkout from your address and the number of items.

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For me as a teen, and later as a [fashion] student, that was always a path to follow. And it still is in the Postal Love USPS Postal Worker High Hand Heart Red Car T-Shirt moreover I love this way I work today. What I’ve always loved about Jean Paul’s approach is his constant curiosity, his way of exploring different registers and tastes. There are no boundaries to what he does: for some designers, a jacket is a jacket and it stays the same for 40 years. With Jean Paul, there’s this sense of no limits, no borders, and no holding back, which I find very generous and audacious. It’s as if he were always putting himself in danger by proposing something new or exploring another individuality. He was a pioneer in questions of gender, of accepting difference, and multiculturalism—all questions that resonate even more today—but he did it in a way that was almost instinctive. I find that gift of expression to the world very beautiful.

Postal Love USPS Postal Worker High Hand Heart Red Car T-Shirt, hoodie, tank top, sweater and long sleeve t-shirt

Maybe it’s because I’m fortunate enough to work at Paco Rabanne, but I think in my process I also have that idea of constant exploration. Finding a proposition with a certain radicality; not being too literal, giving things a twist—or maybe it’s an idea of elegance that’s open to different possibilities. It’s his curiosity, in any case, that I find touching. I’m not sure I’m at the Postal Love USPS Postal Worker High Hand Heart Red Car T-Shirt moreover I love this same “no-limit” level, but it’s something I find interesting as a potential point in common. It came from the group. I knew about the seasonal guest designer and that I’d been considered for some time, but it’s precisely because we’re in the same group they didn’t want me to be among the first, so it wouldn’t look obvious. They knew I’d love to explore the Gaultier universe, because it’s always inspired me. So it all came about naturally. What was important to me was to know whether he liked the idea, and apparently he did. There was no big family meeting, it was very easy and fluid.For Paco Rabanne, the principle was different: it was a brand that didn’t really exist anymore in fashion, and in the beginning there were limited expectations because it was a long-term project. It was really: how do we establish a new vocabulary for this house while, obviously, respecting the DNA and trying to open it to the present. Because the house was really about niche techniques—which are really important—with mesh and metals. Here, it’s another story because I’m a guest at Jean Paul Gaultier. It’s a one-shot. So I loved meeting his team, which has a completely different way of working than my team at Paco Rabanne, and learning how they do things and finding that balance between what I can inject into or take from Gaultier, and what his team can bring. I’m always asking them how he did things, why he transformed that dress. Picking up on his process and doing it well can make the exercise successful. So it’s like the first day of school, meeting people and trying to see how things will go. I have great teams at Paco Rabanne, it all functions really well, but this is really refreshing for me. It’s a different freedom and a different feeling.

1. Length is measured from the highest point on the collar down to the bottom hem. 2. Width is measured across the body of the shirt under the armpits, one way. 3. Sleeves are measured from center back to hem.